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BORN
IN THE SMALL UNIVERSITY TOWN OF AMES, IOWA;
Priyan Dimuthu Weerappuli began showing an interest in music at an early age -
due, in large part, to his mother (who had played the piano for much of
her own life).
By age 5 he had begun playing the piano, and by age
10
the
trumpet - it wasn't, however, until 2002 (the year his father brought
home his first guitar) that the thought occurred to him to write his own
music.
Having watched many of his friends attend formal music lessons; Priyan
began to realize that musicians appeared to come in two forms
- those who could be trained to follow in the footsteps of
others;
and those in whose footprints they would follow.
It was then, in 2002, that Priyan resolved he would be among
the latter. |
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This proved to be a difficult undertaking, however, considering that he
had
decided to do so by writing music in his parents'
native language of Sinhalese.
Despite having had some
lyrical experience writing English poetry;
Priyan, who had been born in the United States, had little more
than a rudimentary Sinhalese conversational vocabulary at his disposal.
Nevertheless ... with only a basic chord guide, and a copy of
Malalasekera's "Sinhala-English
Dictionary", Priyan sat
down in his basement one night, determined to learn at least
three chords by morning. Sure enough, by the time
his
parents
awoke the next day, he had learned to play the first three chords any
guitarist learns - D,G,A.
Within a matter of weeks he had mastered these chords (though Venura
and Lochana may argue that he has yet to master any of
them), and
had begun composing simple three-chord songs - one
of these, with some lyrical amending, would become the
song "Mihiraki Oba".
In early 2004, Priyan was introduced to the music of Congolese musician
Shungu Jules Wembadio (better known as Papa Wemba - of the group "Viva
La Musica"). He found himself deeply inspired by
the free
rhythms
displayed in Wemba's Soukous style, and began experimenting with these
rhythms in his own compositions. Combining
these with
Lochana's
classical guitar techniques,
and the acoustic sound brought by Venura, Priyan composed several
additional songs - and re-wrote the music from one of his
first
compositions - "Siripada".
Despite the large amount of time Priyan has invested in polishing his
musical abilities; Priyan
never
hesitates to credit his mother (Deepthi Weerappuli) for having
introduced him to the piano; and his father (Parakrama
Weerappuli) for having introduced him to the guitar, as well as the
diverse catalog of music
that he, himself, had enjoyed as a child - this influence is apparent in the list of
musicians Priyan often
credits with
having influenced Pahan Silu's unique sound (Ladysmith Black Mambazo,
John Denver, Papa Wemba, Pandit Amaradeva, Clarence Wijewardane, Sting,
James Taylor,
and Aventura). |